| Issue | Title | |
| Vol 3, No 2 (2016) | MODERATE ISLAM AND ITS RELEVANCE IN THE POST 9/11 AMERICA AS IMPLIED IN IMAM FEISAL ABDUL RAUF’S MOVING | Abstract PDF |
| Rifka Pratama | ||
| Vol 8, No 2 (2021) | MORE THAN A HOUSE: A GENDER ANALYSIS OF LAHSA’S THE VIOLENCE AGAINST WOMEN ACT (VAWA) HOUSING POLICY | Abstract PDF |
| Listiyanti Jaya Arum, Anindya Firda Khairunnisa | ||
| Vol 3, No 1 (2016) | MS. MARVEL AS A REPRESENTATION OF THE STRUGGLE FOR AMERICAN IDENTITY | Abstract PDF |
| Ashika Prajnya Paramita | ||
| Vol 10, No 2 (2023) | MYTH OF VIOLENCE IN VENOM: LET THERE BE CARNAGE (2021) SEMIOTIC ANALYSIS | Abstract PDF |
| Ayu Dian Pratiwi | ||
| Vol 3, No 1 (2016) | NEGOTIATION OF IDENTITY IN DIASPORIC LITERATURE: A CASE STUDY ON AMY TAN’S THE HUNDRED SECRET SENSES AND LESLIE MARMON SILKO’S CEREMONY | Abstract PDF |
| Ken Ruri Nindyasmara | ||
| Vol 8, No 1 (2021) | NETFLIX: CULTURAL DIVERSITY OR CULTURAL IMPERIALISM? | Abstract PDF |
| Khansa Salsabila | ||
| Vol 2, No 2 (2015) | NON-VIOLENCE PRINCIPLES IN KING’S SPEECHES AND ITS IMPACTS TO AFRICAN AMERICAN SOCIETY | Abstract PDF |
| Eryn Gemala Putri | ||
| Vol 6, No 2 (2019) | POST-9/11 TRAUMATIC PARANOIA AS REFLECTED IN DON DELILLO’S FALLING MAN | Abstract PDF |
| Siti Kurniati Rasad, Achmad Munjid | ||
| Vol 8, No 1 (2021) | POSTCOLONIAL TRANSLATION STUDIES: FOREIGNIZATION AND DOMESTICATION OF CULTURE-SPECIFIC ITEMS IN OF MICE AND MEN’S INDONESIAN TRANSLATED VERSIONS | Abstract PDF |
| Hafizha Fitriyantisyam, Aris Munandar | ||
| Vol 12, No 1 (2025) | POST-MATERIALISM IN THE US TO THE ACCEPTANCE OF RELIGIOUS LGBTQ+ IN NEW MEDIA | Abstract PDF |
| Annida Ul Marhamah | ||
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