| Issue | Title | |
| Vol 6, No 2 (2019) | POST-9/11 TRAUMATIC PARANOIA AS REFLECTED IN DON DELILLO’S FALLING MAN | Abstract PDF |
| Siti Kurniati Rasad, Achmad Munjid | ||
| Vol 8, No 1 (2021) | POSTCOLONIAL TRANSLATION STUDIES: FOREIGNIZATION AND DOMESTICATION OF CULTURE-SPECIFIC ITEMS IN OF MICE AND MEN’S INDONESIAN TRANSLATED VERSIONS | Abstract PDF |
| Hafizha Fitriyantisyam, Aris Munandar | ||
| Vol 6, No 2 (2019) | POSTWAR JAPANESE ADOPTION OF AMERICAN CULTURE IN LYNNE KUTSUKAKE’S THE TRANSLATION OF LOVE: A POSTCOLONIAL APPROACH | Abstract PDF |
| Bhakti Satrio Nugroho, Muh. Arif Rokhman | ||
| Vol 10, No 1 (2023) | Poverty and Unemployment in Stephen Crane’s Maggie: A Girl of the Streets: A New-Historicism Study | Abstract PDF |
| Krisna Sujiwa, Salsabila Bunga Sangsthita, Pandu Wiguna Restu | ||
| Vol 9, No 1 (2022) | PREVAILING AMERICAN DEMOCRACY WITHIN AFRICAN-AMERICAN LITERATURE OF AMANDA GORMAN’S THE HILL WE CLIMB: STUART HALL’S AUDIENCE RECEPTION ANALYSIS | Abstract PDF |
| Alifiadita Nindyarini Wirawan, Achmad Munjid | ||
| Vol 4, No 2 (2017) | Racial Passing Practiced by Mulattoes: A New Historicist Reading of Nella Larsen’s Passing and Jessie Fauset’s Plum Bun” | Abstract PDF |
| Desy Eka Fatmawati | ||
| Vol 6, No 1 (2019) | RACISM IN THE LAST DECADE OF HOLLYWOOD COMEDY MOVIES | Abstract PDF |
| Thiska Septa Maiza, Ida Rochani Adi | ||
| Vol 8, No 2 (2021) | RACISM TOWARDS AFRICAN AMERICAN COMMUNITY AS REFLECTED IN MAYA ANGELOU’S I KNOW WHY THE CAGED BIRD SINGS: BLACK AESTHETIC CRITICISM | Abstract PDF |
| Gisa Maya Saputri | ||
| Vol 12, No 1 (2025) | REFLECTIONS ON REALITY: A REPRESENTATION ANALYSIS OF ETHICAL DILEMMAS IN BLACK MIRROR’S “CROCODILE” | Abstract PDF |
| Hayomi Gendis Rinjani | ||
| Vol 3, No 2 (2016) | REFORMULATING DRACULA IN THE EARLY 21ST CENTURY: GENRE ANALYSIS OF 24 VAMPIRE FILMS | Abstract PDF |
| Nofiyanti Fuanda | ||
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