| Issue | Title | |
| Vol 6, No 2 (2019) | POSTWAR JAPANESE ADOPTION OF AMERICAN CULTURE IN LYNNE KUTSUKAKE’S THE TRANSLATION OF LOVE: A POSTCOLONIAL APPROACH | Abstract PDF |
| Bhakti Satrio Nugroho, Muh. Arif Rokhman | ||
| Vol 10, No 1 (2023) | Poverty and Unemployment in Stephen Crane’s Maggie: A Girl of the Streets: A New-Historicism Study | Abstract PDF |
| Krisna Sujiwa, Salsabila Bunga Sangsthita, Pandu Wiguna Restu | ||
| Vol 9, No 1 (2022) | PREVAILING AMERICAN DEMOCRACY WITHIN AFRICAN-AMERICAN LITERATURE OF AMANDA GORMAN’S THE HILL WE CLIMB: STUART HALL’S AUDIENCE RECEPTION ANALYSIS | Abstract PDF |
| Alifiadita Nindyarini Wirawan, Achmad Munjid | ||
| Vol 12, No 1 (2025) | PRIYANKA CHOPRA’S HYBRID IDENTITY AS A PUBLIC FIGURE SEEN THROUGH HER INSTAGRAM POSTS | Abstract PDF |
| Clara Andita Dwi Putri Wijaya | ||
| Vol 4, No 2 (2017) | Racial Passing Practiced by Mulattoes: A New Historicist Reading of Nella Larsen’s Passing and Jessie Fauset’s Plum Bun” | Abstract PDF |
| Desy Eka Fatmawati | ||
| Vol 6, No 1 (2019) | RACISM IN THE LAST DECADE OF HOLLYWOOD COMEDY MOVIES | Abstract PDF |
| Thiska Septa Maiza, Ida Rochani Adi | ||
| Vol 8, No 2 (2021) | RACISM TOWARDS AFRICAN AMERICAN COMMUNITY AS REFLECTED IN MAYA ANGELOU’S I KNOW WHY THE CAGED BIRD SINGS: BLACK AESTHETIC CRITICISM | Abstract PDF |
| Gisa Maya Saputri | ||
| Vol 12, No 2 (2025) | RECONSTRUCTING THE ORIENT: A POSTCOLONIAL ANALYSIS OF AI-GENERATED ERASURE IN TRUMP'S GAZA VIDEO | Abstract PDF |
| Sakis Chemamat, Krisna Sujiwa, Yusrina Dinar Prihatika | ||
| Vol 12, No 2 (2025) | REDEFINING FREEDOM OF RELIGION FOR CHILDREN AS DEPICTED IN THE MOVIE OF ARE YOU THERE GOD? IT’S ME, MARGARET: A POSTMODERN APPROACH | Abstract PDF |
| Danika Rahma Irianti, Achmad Munjid | ||
| Vol 12, No 1 (2025) | REFLECTIONS ON REALITY: A REPRESENTATION ANALYSIS OF ETHICAL DILEMMAS IN BLACK MIRROR’S “CROCODILE” | Abstract PDF |
| Hayomi Gendis Rinjani | ||
| 101 - 110 of 188 Items | << < 6 7 8 9 10 11 12 13 14 15 > >> | |
