| Issue | Title | |
| Vol 3, No 1 (2016) | FIGHTING FOR WOMEN EXISTENCE IN POPULAR ESPIONAGE MOVIES SALT (2010) AND ZERO DARK THIRTY (2012) | Abstract PDF |
| Benita Amalina | ||
| Vol 3, No 2 (2016) | Formulating Black Womanhood: A Study on Beyoncé’s Hip-Hop Song Lyrics in Beyoncé Platinum Edition Album | Abstract PDF |
| Ika Ayu Larasati | ||
| Vol 4, No 1 (2017) | Framing Women Politician in Democratic Environment: A Study of Megawati Soekarno Putri and Hillary Clinton | Abstract PDF |
| Nurlita Hapsari | ||
| Vol 4, No 2 (2017) | From Suspended to Emergent Woman, An African American Criticism of Zora Neale Hurston’s Their Eyes Were Watching God | Abstract |
| Simon Ntamwana | ||
| Vol 11, No 1 (2024) | From Tweet to Conflict: Critical Discourse Analysis on Daryl Morey's Tweet about Hong Kong Protest | Abstract PDF |
| Krisna Sujiwa, Aris Munandar | ||
| Vol 9, No 2 (2022) | Gender Bias & Religious Discrimination: Positive Framing of News Report Coverage on Mauree Turner | Abstract PDF |
| Erwanda Resti Chaerunnisa, Aris Munandar | ||
| Vol 2, No 2 (2015) | GENDER WAGE DISPARITY IN THE UNITED STATES: SOCIO-CULTURAL CONTEXT V. LEGISLATIONS | Abstract PDF |
| Agnes Nora Eko Wahyu Utami | ||
| Vol 1, No 1 (2014) | HENRY A. KISSINGER’S ARTICLE ON TERRORISM: A CRITICAL ANALYSIS | Abstract PDF |
| Mokhamad Toha Rudin | ||
| Vol 3, No 2 (2016) | HIP HOP AS A REFLECTION OF AMERICAN VALUES: A SEMIOTICS ANALYSIS ON SAVE THE LAST DANCE AND STEP UP MOVIES | Abstract PDF |
| Naris Eka Setyawati | ||
| Vol 12, No 2 (2025) | HUMOR ABOUT THE LIVES OF ASIAN IMMIGRANTS IN THE US IN RONNY CHIENG: ASIAN COMEDIAN DESTROYS AMERICA! | Abstract PDF |
| Tri Septa Nurhantoro, Yohanes Angie Kristiawan, Yanus Purwansyah Sriyanto, Mira Novanda, Margaretha Resa Petria | ||
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