THE HISTORY AND DEVELOPMENT OF GAMAT MUSIC AS A PROTOTYPE OF BANDAR ART IN THE WEST SUMATERA COASTAL AREA (PESISIR)

https://doi.org/10.22146/jh.11503

Martarosa Martarosa(1*)

(1) Studies Program, Faculty of Performing Arts ISI Padang-panjang
(*) Corresponding Author

Abstract


At the end of the 19th century and the beginning of 20th century, the city of Padang has been dubbed the metropolis of the island of Sumatera. This is because the population of the Europeans who live there is relatively higher than other cities in Sumatera. An influence of this condition appears to be the phenomenon of Western-style music which was introduced to the indigenous peoples (Bandar natives). The appropriation of this musical style from various cultures such as of Portuguese (European), Malay and Minangkabau eventually became known as Gamat. Nowadays, the well-known Gamat is part of the identity of the culture, especially for Minangkabau in the West Sumatera coastal area.

Keywords


Prototype, Bandar art, Gamat music, the West Sumatera coastal area

Full Text:

PDF


References

Arifin, Zainal. (2012). “Buru Babi: Politik Identitas Laki-Laki Minangkabau” in Humaniora (Jurnal Budaya, Sastra, dan Bahasa) Yogyakarta: Fakultas Ilmu Budaya Universitas Gadjah Mada.

Basir, Nazif. (2007). Yusaf Rahman: Komponis Minang, Bandung: Lubuk Alung.

Departemen Pendidikan Nasional. (2014). Kamus Besar Bahasa Indonesia Pusat Bahasa, Jakarta: Gramedia Pustaka Utama.

Ganap, Victor. (2008). “Sumbangsih Ilmu Pengetahuan Musik Dalam Pembentukan Jatidiri Bangsa”, the article is presented in the front of Senate Plenary Session in the Indonesia Art Institute in Yogyakarta in January 19th

Indrayuda. (2008). Tari Balanse Madam:Pada Masyarakat Nias Padang Sebuah Pesspektif Etnologi, Padang: UNP Press.

Kartodirdjo, Sartono. (2014). Pendekatan Ilmu Sosial Dalam Metodologi Sejarah, Yogyakarta: Ombak.

Martarosa. (1999). “Musik Gamat Sebagai Musik Prosesi Dalam Budaya Masyarakat Kecamatan Koto XI Tarusan Pesisir Selatan Sumatera Barat” Tesis Universitas Gadjah Mada.

________. (2008). “Musik Gamat Dari Pertunjukan Pentas Ke Seni Pertunjukan Prosesi (Sebuah Tinjauan Historis)” in Jurnal Ekspresi

Seni Vol. 10, 1 Mei 2008, Padangpanjang: Pusat Penelitian dan Pengabdian pada Masyarakat STSI Padangpanjang

Navis, A.A.. (1984). Alam Terkembang Jadi Guru: Adat dan Kebudayaan Minangkabau, Jakarta: Grafitipers.

________. (1982). “Seni Minangkabau Tradisional Sumbangan Budaya Dalam Pembangunan, Jakarta: Depdikbud Nasional,” in the Cultural Analysis.

Rizaldi. (1994). “Musik Gamat Di Kotamadya Padang: Sebuah Bentuk Akulturasi Antara Budaya Pribumi Dan Budaya Barat”, Tesis Universitas Gadjah Mada.

Suryadi. (2003). “Minangkabau Commercial Cassettes and the Cultural Impact of the Recording Industry in West Sumatra” in ASIAN MUSIC Spring/Summer ,Volume XXXIV, number 2.

________. (2015). “Minang Saisuak” Singgalang, Sunday, June 19th, 2011. Visit; http://www.goodreads.com/author_blog_posts/1306129- minang-saisuak-54---sebuah-grup-musik-dari-padang, accessed in September 27th.

INFORMANTS

Asnam Rasyid, Interview (Padang, Agustus 30th, 2015). Hasnam Rasyid is also an artist and ex-head of Padang Culture Park

Casset Tape HDX, Sinar Padang Record, Martarosa’s documentation.



DOI: https://doi.org/10.22146/jh.11503

Article Metrics

Abstract views : 2138 | views : 3148

Refbacks

  • There are currently no refbacks.




Copyright (c) 2016 Martarosa Martarosa

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.