The Sustainable Tourism of Lumban Suhi–Suhi Village Samosir after The Pandemic

https://doi.org/10.22146/jh.80315

Eva Gultom(1*)

(1) Halu Oleo University
(*) Corresponding Author

Abstract


The objective of this research is to comprehend the roles of the sustainable tourism toward local community in socio-cultural preservation. In this specific context, this writing specifically focuses on the intentional changes and innovative measures implemented by the local community to promote tourism development, particularly in the aftermath of the pandemic. The research question posed in this study is how the Lumban Suhi Suhi Toruan village can preserve their tourism existence after the pandemic both domestically and internationally. This study utilized qualitative and holistic approaches such as conducting interviews, making observations, or analyzing relevant documents and taking comprehensive notes or the data records for data collection analysis. Lumban Suhi Suhi Village prioritizes the use of media platforms as promotion tool and cultural assimilation towards the pervasive digital changes. The concept of "Hita Do Hita" represents the idea of unity in attracting the younger generation to contribute to the development of their hometowns by using podcast as a way to establish the sustainable tourism. The creation of this podcast as an example of employing innovative transformation to motivate young individuals to return to their communities and actively support their growth. Furthermore, Lumban Suhi Suhi Toruan village organizes events such as the Gondang Naposo fashion show, an annual festival called Martonun Sadari, and other activities to attract both local and international tourists that are modified innovatively to compete with other tourism villages around Samosir Island.


Full Text:

PDF


References

Desa Lumban Suhi-Suhi. (n.d.). http://lumbansuhitoruan.com/

Desiani, I. (2022). Simbol Dalam Kain Ulos Pada Suku Batak Toba. Jurnal Ilmu Budaya, Vol.18, No. 2 Februari Tahun 2022

Dr Hudaya Kandahjaya, et all. (2020). Menolak Wabah (Suara-Suara Dari Manuskrip, Relief, Khazanah Rempah dan Ritual Nusantara) (2nd ed.). Penerbit Ombak Yogyakarta.

Firmando, HB. (2021) . Kearifan Lokal Tenun Tradisional Ulos dalam Merajut Harmoni Sosial di Kawasan Danau Toba. Jurnal Sosiologi Dialektika Sosial. 1 (1): 1-18.

Gultom ES, A. (2019). Peran Hata Poda dan Umpasa dalam Upacara Adat Batak Toba terhadap Pendidikan Karakter. KABANTI: Jurnal Kerabat Antropologi, 3(1), 1–5. http://journal.fib.uho.ac.id/index.php/kabantiantropologi/article/view/659

Gurning, D. (2021). Ulos Batak sebagai Simbol Identitas Budaya Toba. Jurnal Kajian Budaya, 23(2), 145-156.

Hita Do Hutaraja II. (n.d.). https://www.youtube.com/watch?v=ii_UbjE2YII

https://kemenparekraf.go.id/. (n.d.). Retrieved September 20, 2022, from https://kemenparekraf.go.id/

Hutabarat, F. (2018). Eksistensi dan Perubahan Ulos sebagai Busana Adat Batak Toba. Jurnal Perempuan dan Anak, 1(1), 87-100.

Marbun, M., & Manurung, H. (2019). Peran Ulos dalam Upaya Pemertahanan Budaya Batak Toba. Jurnal Kajian Bahasa, Sastra, dan Pengajaran, 2(1), 12-25.

Miles, Mathew B., dan A. Michael Huberman. (1994). An Expanded Sourcebook: Qualitative Data Analysis. London: Sage Publications.

Niessen, SA. (1985). Motifs of Life in Toba Batak Text and Textiles. Dordrecht: Foris Publications.

Nugrahaningsih, R. (2019). Tortor Function In Gondang Naposo Batak Toba Community. Journal of Education and Practice www.iiste.org ISSN 2222-1735 (Paper) ISSN 2222-288X (Online) DOI: 10.7176/JEP Vol.10, No.2, 2019

Sinaga, S. (2020). Mengenal Ulos Batak: Warisan Budaya yang Terancam Punah. Jurnal Pendidikan dan Kebudayaan, 26(3), 309-320.



DOI: https://doi.org/10.22146/jh.80315

Article Metrics

Abstract views : 348 | views : 250

Refbacks

  • There are currently no refbacks.




Copyright (c) 2023 Humaniora

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.



free web stats Web Stats

ISSN 2302-9269 (online); ISSN 0852-0801 (print)
Copyright © 2022 Humaniora, Office of Journal & Publishing, Faculty of Cultural Sciences, Universitas Gadjah Mada