| Issue | Title | |
| Vol 9, No 2 (2022) | An Appraisal Analysis on Joe Biden’s Rhetoric of Gun Control | Abstract PDF |
| Bagas Al Fajri, Zanuwar Hakim Atmantika, Galant Nanta Adhitya | ||
| Vol 12, No 2 (2025) | AN EDUCATIONAL FRONTIER: HANNAH BREECE AND THE AMERICAN COLONIAL PROJECT IN ALASKA | Abstract PDF |
| Edward Owen Teggin | ||
| Vol 2, No 2 (2015) | AN IMAGE OF AMERICAN MUSLIMS THROUGH UPDIKE’S TERRORIST: A STUDY OF IDENTIFICATION AND REPRESENTATION | Abstract PDF |
| Diba Prajamitha Aziz | ||
| Vol 1, No 1 (2014) | ANIMAL TALES IN CHEROKEE AND SUMBAWA TRADITION: A STUDY ON CHEROKEE AND SUMBAWANESE VALUES REFLECTED IN THREE PAIRS OF STORIES | Abstract PDF |
| Vivin Nila Rakhmatullah | ||
| Vol 12, No 1 (2025) | APPLYING CRITICAL RACE THEORY TO RACIALLY-MIXED ASIAN-AMERICANS DEPICTED IN KEVIN KWAN’S SEX AND VANITY | Abstract PDF |
| Galant Nanta Adhitya, Ni Luh Ayu Liana, Yohanes Angie Kristiawan | ||
| Vol 1, No 2 (2014) | ASIAN INDIAN MUSLIM NEGOTIATING FOR IDENTITY IN THE POST ‘SEPTEMBER ELEVENTH’ AS DEPICTED IN THE FILM MY NAME IS KHAN | Abstract PDF |
| Fajriani Fajriani | ||
| Vol 10, No 2 (2023) | ATTITUDES IN THE SONG LYRICS OF OLIVIA RODRIGO’S SOUR ALBUM | Abstract PDF |
| Pegita Rianinda Putri, Apriliana Hapsari, Devi Rosmawati | ||
| Vol 8, No 1 (2021) | AUDIENCE PERSPECTIVE ON TODD PHILLIPS’S JOKER (2019): A LACANIAN PSYCHOANALYSIS | Abstract PDF |
| Alifiadita Nindyarini Wirawan | ||
| Vol 12, No 1 (2025) | AUDIENCE RECEPTION ANALYSIS TOWARD WOMEN’S REPRESENTATION IN DAMSEL | Abstract PDF |
| Tia Ivanka Wardani, Pujo Sakti Nur Cahyo, Dewi Meyrasyawati | ||
| Vol 4, No 2 (2017) | Augustine Tolton’s Struggle as a Black Catholic against Discrimination as Portrayed in From Slave to Priest by Caroline Hamesath and They Called Him Father Gus by Roy Bauer | Abstract PDF |
| Agnes Mira Damayanti | ||
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