PENDIDIKAN SENI: PERGULATAN SUATU MAKNA
Kardi Laksono(1*)
(1) Institut Seni Indonesia Yogyakarta
(*) Corresponding Author
Abstract
The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements brings him closer o nature, in that he claims for the painter the role of universal being and the ability to use the creative impulse to mirror nature, which then approaches divine necessity. Naturally, when we look at one of Leonardo’s paintings, we should think of a kind of – it’s not a contradiction – of contrivance, of a painting that’s a synthesis between very different things. For him painting is a philosophy, a science, it’s a mental process and in every picture, just as in every page of his manuscripts, we can find an infinite number of hints about relationship and references. These relationship and references are also demonstrated by a number of philosophers through their thoughts about art and esthetics.
Keywords
arts; philosophy; meaning
Full Text:
PDFDOI: https://doi.org/10.22146/jf.13156
Article Metrics
Abstract views : 1605 | views : 1149Refbacks
- There are currently no refbacks.
Copyright (c) 2013 Jurnal Filsafat
Jurnal Filsafat Indexed by:
Jurnal Filsafat ISSN 0853-1870 (print), ISSN 2528-6811 (online)