* Corresponding Author
SERIAL KILLER IN POPULAR LITERATURE: A FORMULA ANALYSIS OF HANNIBAL LECTER SERIES
https://doi.org/10.22146/rubikon.v3i2.34266 Dian Nur Endah(1*)
(1) American Studies Graduate Program, Universitas Gadjah Mada
(*) Corresponding Author
Abstract
Using textual analysis, this research attempts to find out the formula of Hannibal Lecter novels. These formula is analyzed and studied to acquire convention and invention in Hannibal Lecter characterization compared to other serial killer fictions. These two aspects are the foremost things that enable Hannibal Lecter novel series become acceptable and popular in American society. The result of this research is that there are some aspects in Hannibal Lecter characterization that are defined as convention of serial killer genre; 1) depiction of serial killer as white male, 2) depiction of serial killer as being highly intelligent and strong. Meanwhile, aspects that show invention of serial killer characerization are; 1) Depiction of serial killer as person who commits killing to bad people, 2) Performing cannibalism practice as civilized action, 3) Being woman lover, not misogynist, and 4) Being sociable man.
Keywords: serial killer, formula, convention, invention, crimes
Full Text:
PDFReferences
Adi, I. R. (2008). Mitos Di Balik Film Laga Amerika. Yogyakarta: Gadjah Mada University Press.
________. (2011). Fiksi Populer: Teori dan Maatode Kajian. Yogyakarta: Pustaka Pelajar.
________. (2014). Anakronisme dalam Serial TV Dexter. LITERA, 13 (1). 29-42.
Alsford, M. (2006). Heroes and Villains. United States of America: Baylor University Press.
Bloch, R. (1959). Psycho. United States of America: Simon & Schuster.
_______. (1982). Psycho II. United States of America: Simon & Schuster.
Brite, P. Z. (1996). Exquisite Corpse. United States of America: Touchstone Press.
Cardey, L. (2013). Hollywood Whiteness and Stereotypes. Atlantis, Vol. 12, no. 3. 18–19. Boulder: University Press of Colorado.
Cawelti, J. G. A. (1976). Adventure, Mystery and Romance. London: University of Chicago.
Creswell, J. E. (2009). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches. 3rd Edition. SAGE Publications, Inc.: Los Angeles, London, New Delhi, Singapore.
Ellis, B. E. (1991). American Psycho. New York: Vintage Books.
Freccero, C. (1997). Historical Violence, Censorship, and the Serial Killer: The Case of American Psycho. Diacritics: a Review of Contemporary Criticism, 27(2), 44-58.
Harris, T. (1981). The Red Dragon. New York: St. Martin’s Press.
_______. (1988). The Silence of The Lambs. New York: St. Martin’s Press.
_______. (1999). Hannibal. New York: St. Martin’s Press.
_______. (2006). Hannibal Rising. New York: St. Martin’s Press.
McDowell, T. (1948). American Studies: Time and Colleges. Minneapolis: The University of Minnesota Press,
Parker, R. B. (1988). Crimson Joy. United States of America: Delacorte Press.
Random house. Silence of the Lambs. June 9 2014. Web. July 4. 2014. http://www.randomhouse.com/trade/publicity/silence of the Lambs.
Simpson, P. (1964). Psycho Paths: Tracking The Serial Killer Through Contemporary American Film And Fiction. USA: Southern Illinois University Press.
Storey, J. (2009). Cultural Theory and Popular Culture: An Introduction. Pearson, Longman.
Tithecott, R. (1997). Of Men and Monsters; Jeffrey Dahmer and The Construction of The Serial Killer. Winsconsin: The University of Winsconsin Press.
Thompson, J. (1952). The Killer Inside Me. United States of America: Fawcett Publications.
Wood, R. (1986). Hollywood From Vietnam to Reagan And Beyond. New York: Columbia University Press.
Woods, S. (1981). Chiefs. United States of America: Norton.
DOI: https://doi.org/10.22146/rubikon.v3i2.34266
Article Metrics
Abstract views : 2521
| 
views : 6757
Refbacks
- There are currently no refbacks.
Copyright (c) 2019 Rubikon : Journal of Transnational American Studies
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
