* Corresponding Author
Wacana 'barbar' dalam film animasi Aladin
https://doi.org/10.22146/kawistara.22956 Mundi Rahayu(1*)
(1)
(*) Corresponding Author
Abstract
This article discusses the discourse of Arab barbarism constructed in animated film Aladdin produced by Walt Disney Picture Animation in 1992. The story of Aladdin is originated from the Arabian folktales, Alf Layla wa Layla which was translated into English version of “Arabian Nights”. Arab stereotypes in Hollywood cinema has been studied by many researchers, and this article will find out how Hollywood constructs the discourse of Arab barbarism in animated film Aladdin, and whose interest or ideology constructed in the discourse. This study applies Fairclough’s critical discourse analysis, through its three levels of analysis, micro, macro and mezo. The analysis shows that the discourse of Arab barbarism is constructed as a politics of identity for othering the Arabs through natural ways of the film. In this film, Aladdin is able to transform the antagonist Jafar, helped by the Jinn implies the notion that the power of technology and humanitarianism is constructed as the tools to overpower the powerful barbarian. Hollywood and America’s interest in projecting the friend and foe in its international relation through the cultural product needs to be scrutinized critically.
Keywords
Full Text:
PDF (Bahasa Indonesia)References
Abdullah, Irwan. 2010. Konstruksi dan Reproduksi Kebudayaan. Yogyakarta: Pustaka Pelajar.
Ameli, Saied R., Syed Mohammed Marandi,Sameera Ahmed, Seyfeddin Kara,Arzu Merali. 2007. The British Media and Muslim Representation:The Ideology of Demonisation. Great Britain: Islamic Human Rights Commission.
Barker, Chris.2004. Cultural Studies Theory and Practice, New Delhi: Sage.
Bourdieu, Pierre, 1984. Distinction: Social Critics of the Judgement of Taste. New York: Routledge.
Bryant, Darrol M. 1982. “Cinema, Religion,and Popular Culture,” in Religion in Film, eds., John R. May and Michael Bird. Knoxville: University of Tennessee Press.
Crane, Diana. 2014. Cultural globalization and the dominance of the American film industry: cultural policies, national film industries, and transnational film, International Journal of Cultural Policy, 20:4, 365-382, DOI:10.1080/10286632.2013.832233.
Dick, Bernard F. 2005. Anatomy of Film 5th Ed.London: Palgrave Macmillan.
Durham, Gigi Meenakshi and Douglas M.Kellner.2006. Media and Cultural Studies; Keyworks. Revised Ed.Malden USA : Blackwell Publishing.
During, Simon. 2005. Cultural Studies: a Critical Introduction. USA: Routledge.
El Fadl, Khaled Abou. 2005. The Great Theft:Wrestling Islam from the Extremists,New York: PerfectBound HarperCollins Publisher Inc.
Fairclough, Norman. 1989. Language and Power. UK: Longman Group UK Ltd.
Fiske, John. 2007. Cultural and Communication Studies, Sebuah Pengantar paling Komprehensif. Jogjakarta: Jalasutra.
Foucault, Michel. 1970. The Order of Things.London: Tavistock.
_______. 1972. The Archeology of Knowledge.London. Tavistock
_______. 1977. Discipline and Punish,London. Tavistock.
_______, 1981. “The Order of Discourse”dalam Robert Young (ed), Untying The Text: A Post-Structuralist Reader.Routledge.
Gardels, Nathan dan Medavoy, M. 2009. American Idol after Iraq : competing for hearts and minds in the global media age. UK: Wiley-Blackwell.
Gerges, Fawaz A. 1999. America and Political Islam; Clash of Cultures or Clash of Interests? Cambridge University Press.
Grossberg, Lawrence, Ellefn Wartella, D Charles Whitney, J. Macgregor Wise.2006. Media Making: Mass Media in a Popular Culture. California: Sage Publication.
Habermas, Jurgen. The Public Sphere: An Encyclopedia. Article dalam Durham,Meenakshi Gigi and Kellner, Douglas M. (ed). 2006.Media and Cultural Studies: Key Works, USA: Blackwell Publishing.
Hall, Stuart. 1997. Representation Cultural Representations and Signifying Practice. USA: The Open University. Sage Publication. Ltd.
Halliday, Fred. 2003. Islam and the Myth of Confrontation 2nd Ed. London: LB Tauris.
Hinds, Harold, E., Marilyn F. Motz, Angela M.S. Nelson. 2006. Popular Culture Theory and Methodology; a Basic Introduction. USA: The University of Wisconsin Press.
Karim, Wazir Jahan. 2011. Stratagems and Spoils in US Policy in the Middle East,Globalizations, 8:5, 601-607
Kellner, Douglas.2004. 9/11, Spectacles of terror, and Media Manipulation, Critical Discourse Studies, 1:1, 41-64, DOI: 10.1080/17405900410001674515.
_______.2003. From 9/11 to Terror War: The Danger of Bush legacy. Maryland:Rowman & Littlefield Publishers,Inc.
Khatib, Lina. 2006. Filming the Modern Middle East: Politics in the Cinema of Hollywood and the Arab World.London: IB Tauris.
Kooijman, Jaap. 2008. Fabricating The Absolute Fake; America in Contemporary Pop Culture, Amsterdam: Amsterdam University Press.
Lara, Maria Pia. 1998. Moral Textures: Feminist Narratives in the Public Sphere.California: University of California Press.
Laughey, Dan.2007. Key Themes in Media Theory. England: McGraw Hill – Open University Press.
Lewis, Simon. 2014. What Is Spectacle?,Journal of Popular Film and Television, 42:4, 214-221, DOI:10.1080/01956051.2014.923370.
Mahmood, Saba. 2005. Politics of Piety: Islamic Revival and The Feminist Subject. Princeton: Princeton University Press.
MacKinnon , Neil J. and David R. Heise. 2010.Self and Identity and Social Institution. New York: Palgrave Macmillan McGowan, Todd. 2007. The Real Gaze; Film Theory after Lacan. Albany: State University of New York Press.
McKinley, Michael. 2007. Economic Globalisation as Religious War.London: Routledge. McQuail, Denis, Peter Golding, Els de Bens (ed). 2005. Communication Theory and Research. London: Sage Publication.
Meyer, Michael and Ruth Wodak. 2001.Method of CDA. London. Sage Publication
Miles, Margaret. 1996. Seeing and Believing: Religion and Values in the Movies.Boston: Beacon Press.
Morgan, Iwan W. 2011. Presidents in the Movies; American History and Politics on Screen. New York: Palgrave Macmillan.
Mosco, Vincent. 1996. The Political Economy of Communication. London: Sage Publications.
Mujani, Saiful. Syariat Islam dan Keterbatasan Demokrasi. Kolom Edisi 003 / Agustus 2011. www.abad-demokrasi.com.
Nowlan, Bob. Introduction to the Art and Politics of Representation in Film.http://www.uwec.edu/ranowlan/art_politics.htm. Last updated:September 21, 2001. Retrieved May 31, 2012.
Nurrohman, Hukum Islam Dan Perlindungan Hak Asasi Manusia: Studi atas Problematika Formalisasi Syari’at Islam di di Dunia Islam dan di Indonesia.Paper pada Annual Conference on Islamic Studies –ANCIS ke-7,Pekanbaru Riau, 21-24 November 2007.
Purvis, Tony. 2006. Get Set for Media and Cultural Studies. Edinburgh:Edinburg University Press.
Ramji, Rubina. 2005. “From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style”. The Journal of Religion and Film Vol. 9 No. 2. October 2005.(http://www.unomaha.edu/~jrf/Vol9No2/RamjiIslam.htm diakses 20-02-2012).
Riegler, Thomas. 2009. Through the Lenses of Hollywood: depictions of Terrorism in American Movie.
Roberge, Chris. 1993. Aladdin animator used subtlety to design strong villain: Andreas Deja. Interview.November 20,1992. The Tech Online Edition Vol112. Issue 64 : Wednesday, January 6, 1993. http://tech.mit.edu/V112/N64/ aladdin.64a.html.
Rogers, Mary. 2009. Barbie Cultures: Ikon Budaya Konsumerisme (Terjemahan). Jogjakarta: Relief.
Said, Edward W. 1979. Orientalism. New York: Vintage Books Edition.
Shaheen, Jack. 2000. Hollywood’s Muslim Arabs.The Muslim World Vol. 90.http://macdolad.hartsem.edu/articles/shaheenart1.pdf.
_______. 2001. Reel Bad Arabs: How Hollywood Vilifies a People. New York: Olive Branch Press.
Shohat, Ella. 1990. Gender in Hollywood’s Orient. Middle East Report No. 162,Jan. - Feb., 1990, pp. 40-42.
Starr Paul. 2004. The Creation of Media: Political Origins of Modern Communications.USA: Basic Books.
Storey, John. 1993. The Introduction to Cultural Theories and Popular Culture. Leicester:Simon & Schusster International Group.
Totman, Sally-Ann. 2009. How Hollywood Projects Foreign Policy. New York: Palgrave Macmillan.
Udasmoro, Wening, dkk. 2014. Konstruksi Identitas Remaja dalam Karya Sastra.Yogyakarta: Program Studi Sastra Perancis – FIB UGM.
Young, Lola. 1996. Fear of the ‘Dark’ Race: Race,Gender and Sexuality in the Cinema.London: Routledge.
DOI: https://doi.org/10.22146/kawistara.22956
Article Metrics
Abstract views : 4549
| 
views : 2774
Refbacks
- There are currently no refbacks.
Copyright (c) 2017 Jurnal Kawistara
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Jurnal Kawistara is published by the Graduate School, Universitas Gadjah Mada.