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About The Author

Ricky Irawan
* Corresponding Author
https://scholar.google.com/citations?user=ZMJk5YEAAAAJ&hl=id

Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar
Indonesia

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Keywords Acting, Actor, Site-specific Theatre, Space, Practical Bali, Gerabah, Fungsi, Pejaten, Relasi Batik Gajah Oling, Etnosemiotika, Estetika, Tari Gandrung Bukoba, Nilai-nilai, Tradisi Lisan Dangdut, Fake, Power, Reproduction, Rhoma Irama, Singer. Festival Klasik Lagu daerah, industri rekaman, kebijakan budaya. Masyarakat, Perempuan, Sinden, Stereotipe Musik Protes, Era Reformasi, Perlawanan Politik, Habitus, Field of Struggle Opera Batak PLOt. Pertunjukan Struktur Dramatisasi, Trilogi Ritual Tabuik, Basalisiah Suling Dewa, Masyarakat Karang Bajo, Identitas Simbolik, Predikat Spiritual Tilhang Serindo Tranformasi-Transisi artwork, creative process, contemporer composer, minimax, Slamet Abdul Sjukur flow, gamelan, improvisation, music education woman work

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Home > Vol 9, No 1 (2022) > Irawan
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Copyright (c) 2022 Ricky Irawan

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This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This journal is published by Performing Arts and Visual Arts Studies, Graduate School, Universitas Gadjah Mada.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

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