Cerita Panji sebagai Repertoar Lakon Wayang Gêdhog Gaya Surakarta Telaah Struktur Teks, Makna dan Kaitannya dengan Pertunjukan | Wiratama | Jurnal Kajian Seni

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About The Author

Rudy Wiratama
* Corresponding Author
Universitas Gadjah Mada
Indonesia

Born in Surakarta August 31st 1990, graduated from Communication Science Department, Faculty of Social and Political Sciences, has his Master degree from Visual Performing Arts Studies in UGM and now serving as Assistant Lecturer in Javanese Literature Programme, Literature and Language Department, Faculty of Cultural Science Universitas Gadjah Mada Yogyakarta

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Keywords Akhudiat, naskah Drama, tokoh, teater Angklung Buddhism Electronic and Multimedia Music, New Music, Postmodernism. Estetika, Gamelan, Gong Gede, Tabuh Glokalisasi, Hibridisasi, Musik Timor, Negosiasi, Nusa Tenggara Timur I Ketut Widianta, Kendang tunggal, Metode, Mengajar. Kebudayaan, Adaptasi, Jazz, Big Band, Salamander Laras Panji stories, lakon, wayang gědhog, structures, meanings Piano compositions, Indisch, Postcolonial, Ki Hadjar Dewantara, Constant van de Wall Salendro aesthetic expressions, art and technology, flow-art, fire dance. dance composition, Seri Inai, dance organization, Panggak Laut elemen visual, fungsi, gereja, ornamen gending sekati, ririg cenik, melodi kelinthing, gedrukan, regeng, pemicu semangat orientalism, postcolonialism, composition, serialism, spectralism selfie, popular, culture, identity, youth woman work

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