Email this article 
Hide
Show all
THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI
https://doi.org/10.22146/poetika.v4i2.15493 Yuli Mahmudah Sentana(1*)
(1) STIPRAM Yogyakarta
(*) Corresponding Author
Abstract
This study aims to determine the position of the author in women narration. With Rahimi’s background as a feminist, he said that with his novel he voiced the voices of Afghan women. Rahimi offered a strong female figure in the middle of the patriarchal shackles who is able to fight the system. The problem of this study is Rahimi’s ambiguity in narrating women. To determine the position of the author, the research uses the concept of the lure of the image belongs to Lidia Curti. The lure of the image is an offer provided by the author to give positions to women that are in fact not provided by them. Based on the research conducted, the results show that Rahimi keeps women as objects in a patriarchal world. In this case he is not able to pull the women out of the patriarchal zone. The space given to women by Rahimi reinforces male power. What Rahimi written in this novel is the lure of the image according to Curti’s concept which explains it as an image of women given by author or known as female gaze.
Keywords
Full Text:
PDF (Bahasa Indonesia)References
Almeida, José Dominique. 2012. Statut de La langue dans Syngué Sabour d’Atiq Rahimi. Université de Porto. Tidak diterbitkan.
¬¬_______. 2012. Ecriture au Feminin par Procuration. Université de Porto. Tidak diterbitkan.
Bal, Meike. 1999. Narratology Introduction to the Theory of Narrative. Toronto: Univerisy of Toronto Press
Cixous, Hélène. 2010. Le Rire de la Méduse. Paris: Galillé
Curti, Lidia. 1998. Female Bodiess, Female Stories, Narrative, Identity and Represntation. London: Macmillan Press.
Darma, Dianda Budi & Titik H. 2012. Confession without borders: 1st Wave Feminism against Woman’s Right Disproportion in Atiq rahimi’s The Patience Stone. Surabaya: Universitas Negeri Surabaya. Tidak diterbitkan.
Faruk. 2012. Metode Penelitian Sastra: Sebuah Penjelajahan Awal. Yogyakarta: Pustaka Pelajar.
Irigaray, Luce. 1995. This Sex Which is not The One. New York: Cornell University Press.
Körömi. Gabriella. La symbolique des rideaux dans Syngué sabour d’Atiq Rahimi. Eger: École Supérieure Károly Eszterhzy. Tidak Diterbitkan.
Lanser, Susan S. 1986. Toward A Feminist Narratology. Pennsylvania: State University Press
Leese, Peter & dkk. 2012. Migration, Narration, Identity: Cross-Cultural Perspective. Frankurt: Peter Lang Edition
Mustofa, Ali & Rizki S. A. 2012. The Woman’s Silent Voice toward Patriarchy’s Handcuff reflected in Atiq Rahimi’s The Patience Stone. Surabaya: Universitas Negeri Surabaya. Tidak diterbitkan.
Muvley, Laura. 1989. Visual and Other Pleasures. London: Macmillan
Rahimi, Atiq. 2008. Syngué Sabour, Pierre de Patience. Paris: P.O.L
¬¬¬______.2012. Singge Sabur, Batu Kesabaran. Yogyakarta: Jalasutra
Sarup, Madan. 2003. Postrukuralisme dan Posmodernisme, Sebuah Pengaantar Kritis. Yogyakarta: Penerbit Jendela
Tong, Rosemarie Putnam. 2004. Feminist Thought: Pengantar Paling Komprehensif kepada Aliran Utama Pemikiran Feminis. Yogyakarta: Jalasutra.
Wibowo. Agustinus. 2010. Selimut Debu, Imipian dan Kebanggaan dari Negeri Perang Afganistan. Jakarta: Gramedia Pustaka.
Winner, Irene Portis. 1984. Theories of Narration and Ethnic Culture Texts. Berlin New York Amsterdam: Mouton. Dalam Sign, System and Function. Proceedings of the First and Second Polish American Semiotics Colloquia (hal. 439-455).
DOI: https://doi.org/10.22146/poetika.v4i2.15493
Article Metrics
Abstract views : 5372
| 
views : 2415
Refbacks
- There are currently no refbacks.
Copyright (c) 2016 Poetika : Jurnal Ilmu Sastra
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
ISSN 2503-4642 (online) | 2338-5383 (print)
Copyright © Poetika: Jurnal Ilmu Sastra under the terms of a Creative Commons Attribution-ShareAlike 4.0 International License.
