Apakah Wayang Kulit Dibentuk oleh Sunan Kalijaga?

https://doi.org/10.22146/jksks.59650

Áron Bence Laki(1*)

(1) Eötvös Loránd Tudományegyetem (ELTE)
(*) Corresponding Author

Abstract


Abstrak

Artikel ini menganalisa cerita wali sanga, lebih tepatnya hubungan Sunan Kalijaga dengan seni wayang, dengan lebih mendalam. Legenda yang membicarakan tentang bagaimana dan kenapa Sunan Kalijaga mengubah bentuk wayang dikenal luas oleh masyarakat Indonesia. Penelitian ini membahas tentang apakah aturan agama Islam memang memerlukan wali sanga untuk mengubah bentuk wayang atau tidak. Pola pikir tentang menggambarkan tokoh-tokoh penting dalam agama lain, seperti halnya dalam agama Hindu dan Budha, juga diteliti di sini. Setelah melihat pola pikir dan aturan-aturan yang berbeda di dalam beberapa tradisi ini, kita akan bisa menarik kesimpulan yang baru tentang cerita Sunan Kalijaga.

Abstract

This article examines the story of wali sanga, or to be more precise the story which connects Sunan Kalijaga with the art of shadow puppetry in detail. The story about how and why did Sunan Kalijaga change the shape of wayang figures is well known by all Indonesians. This research will examine if according to Islamic law, was it really required to change the shape of wayang figures or not. We will also talk about the way of thinking about depicting important figures in other religions, such as in Hinduism and in Buddhism too. After we saw all the different points of view and rules about this in the different traditions, we will be able to draw a new conclusion about the story of Sunan Kalijaga.


Keywords


Buddhism; Hinduism; Islam; shadow puppetry; sharia; Sunan Kalijaga



References

Bernet Kempers, A. J.. Ancient Indonesian Art. Amsterdam: C. P. J. van der Peet, 1959. Cook, Michael. Commanding Right and Forbidding Wrong in Islamic Thought. Cambridge: Cambridge University Press, 2004. Geertz, Clifford. The Religion of Jawa. Chicago: University of Chicago Press, 1976. al-Ghazālī, Abū Ḥāmid Muḥammad b. Muḥammad. Iḥyā ꜤUlūm ad-Dīn. Bayrūt: Dār ibn Ḥazm, 2005. Harvey, Peter. An Introduction to Buddhist Ethics. Foundations, Values and Issues. New York: Cambridge University Press, 2000. Holt, Claire. Art in Indonesia. Continuities and Change. Ithaca: Cornell University Press, 1967. Hooker, M. B.. Adat Law in Modern Indonesia. Kuala Lumpur: Oxford University Press, 1978. Marsaid. „Islam dan Kebudayaan. Wayang Sebagai Media Pendidikan Islam di Nusantara.” Kontemplasi 4;1 (2016):101-130. The Matsya Puranam. Part 2. terj.: A Taluqdar of Oudh. Allahabad: Indian Press, 1917. Mishra, Tara Nanda. „Dated Figure of King Jayavarma. The Tradition of Figure Making and the Historical Importance of this Discovery.” Ancient Nepal. Journal of the Department of Archeology. 146 (2000):1-23 Mulyono, Ir. Sri. Wayang. Asal-usul, Filsafat dan Masa Depannya. Jakarta: Gunung Agung, 1982. Nardi, Isabella. „The Theory of Indian Painting. The Citrasutras, their Uses and Interpretations.” Disertasi, School of Oriental and African Studies, University of London, 2003. an-Nawawī, Muḥyī ad-Dīn abū Zakarīyā Yahyā b. Syaraf. Riyādh ash-Shāliḥīn. Bayrūt: al-Maktab al-Islāmī, 1992. an-Nawawī, Muḥyī ad-Dīn abū Zakarīyā Yahyā b. Syaraf b. Murrī. Al-Minhāj fī Syarḥ Shaḥīḥ Muslim b. al-Ḥajjāj. Syarḥ an-Nawawī Ꜥalā Muslim. ꜤAmmān: Bayt al-Afkār ad-Dawliyya, 2000. Rahimsyah Ar., Mb.. Kisah Wali Songo. Penyebar Agama Islam Di Tanah Jawa. Surabaya: Cipta Karya, 2011. Schacht, Joseph. An Introduction to Islamic Law. Oxford: Clarendon Press, 1982. Sumarsam. „Past and Present Issues of Islam within the Central Javanese Gamelan and Wayang Kulit” Divine Inspirations. Music & Islam in Indonesia. ed.: Harnish, David D. – Rasmussen, Anne K., New York: Oxford University Press, 2011. 45-79 Varaha Mihira. The Brihat Samhita of Varaha Mihira. Part I. terj.: N. Chidambaram Iyer, B. A., F. T. S. Madura: South Indian Press, 1884. Varaha Mihira. The Brihat Samhita of Varaha Mihira. Part II. terj.: N. Chidambaram Iyer, B. A., F. T. S. Madras: Foster Press, 1885. The Vishnudharmottara (Part III). A Treatise on Indian Painting and Image-Making. terj.: Stella Kramrisch, Ph. D. Calcutta: Calcutta University Press, 1928.



DOI: https://doi.org/10.22146/jksks.59650

Article Metrics

Abstract views : 2145 | views : 3812

Refbacks

  • There are currently no refbacks.


Copyright (c) 2021 Jurnal Kajian Seni

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This journal is published by Performing Arts and Visual Arts Studies, Graduate School, Universitas Gadjah Mada.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

web
statistics View My Stats