Rekonseptualisasi Dokumenter: Kebenaran Filmis dalam Perspektif Kognitif
Renta Vulkanita Hasan(1*), Gabriel Roosmargo Lono Lastoro Simatupang(2), Kurniawan Adi Saputro(3)
(1) 
(2) Universitas Gadjah Mada
(3) Institut Seni Indonesia Yogyakarta
(*) Corresponding Author
Abstract
Keywords
Full Text:
Renta Vulkanita (Bahasa Indonesia)References
Aguilar, Gonzalo J. 2013. Andermann et al. (eds.), The Documentary: Between Reality and Fiction, between First and Third Person. Antonacopoulou, Elena P., Yiannis Gabriel. 2001. Emotion, Learning, and Organizational Change: Toward an Integration of Psychoanalytic and other Perspective. Journal of Organizational Change Management. 14; 5; ProQuest pg. 435. Aufderheide, Patricia. 2007. Documentary Film: A Very Short Introduction. Oxford: Oxford University Press. Ayisi, Florence, Catalin Brylla. 2013. The Politics of Representation and Audience Reception: Alternative Visions of Africa. Research in African Literatures. Volume 44, Number 2, , 125-141. Beattie, Keith. 2004. Documentary Series: Non-fiction Film and Television. New York: Palgrave Mac Millan. Blumenberg, Richard. M., 1977. Documentary Films and the Problem of "Truth". Journal of the University Film Association, Vol. 29, No. 4. Bordwell, David. 1991. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. USA: Harvard University Press. Bondebjerg, Ib. 2014. Documentary and Cognitive Theory: Narrative, Emotion and Memory, Journal of Media and Communication, Volume 2, Issue 1, Pages 13–22. Deogracias, José Cabeza San. 2013. Thinking about television audiences: Entertainment and reconstruction in nature documentaries. European Journal of Communication 28(5), 570–583. Eisenstein, Sergei. 1969. Film Form. San Diego: A Harvest Book. Ellis, Jack. C. 1989. The Documentary Idea: A Critical History of English-Language Documentary Film and Video. New Jersey: Prentice Hall. Michelle, Carolyn. 2007. Modes of Reception: A Consolidated Analytical Framework. The Communication Review, 10: 181–222. Nichols, Bill. 2001. Introduction to Documentary. Bloomington: Indiana University Press. Persson, Per. 2003. Understanding Cinema: A Psychological Theory of Moving Imagery. Cambridge: Cambridge University Press. Rosenthal, Alan (ed). 1988. New Challenge for Documentary: The Voice of Documentary. Berkeley: University of California. Takahashi, Tess. 2011. Experiments in Documentary Animation: Anxious Borders, Speculative Media. Animation: An Interdisciplinary Journal, 6(3) 231–245. Williams, Linda. 1993. Mirrors without Memories: Truth, History, and the New Documentary. Film Quarterly, Vol. 46, No. 3 (Spring, 1993). Wilson, Tony. 1997. Participatory Identification: Toward a Phenomenology of Audience Reception. Journal of Media International Australia No. 83, 113-122.
DOI: https://doi.org/10.22146/jksks.28524
Article Metrics
Abstract views : 1953 | views : 3134Refbacks
- There are currently no refbacks.
Copyright (c) 2019 Jurnal Kajian Seni
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.