Kajian Tekstual The Drupadi Trilogy Karya Ananda Sukarlan
Nirai Nathalia Deasy Kristiana(1*)
(1) Universitas Gadjah Mada
(*) Corresponding Author
Abstract
Drupadi from Mahabharata. Aside from using the narrative literature, Sukarlan also
used the music elements from Balinese gamelan in his art music composition. Therefore,
by using the theory of Tripartition (Jean-Jacques Nattiez) and the theory of music
interrelation (Philip V. Bohlman), The Drupadi Trilogy was analyzed textually to explain
the occurrence of elements of Balinese gamelan music in the composition, the connection
and correlation between the composition with other elements, and the purpose behind
their connection and correlation.
Keywords
Full Text:
PDF (Bahasa Indonesia)References
Andrews, H.K., “Whole Tone Scale” dalam Stanley Sadie dan John Tyrell, ed., The New Grove Dictionary of Music and Musicians, Vol. XXVII, London: Macmillan Publishers Limited, 2002. Bohlman, Phillip Vilas, The Study of Folk Music in the Modern World, Bloomington & Indianapolis: Indiana University Press, 1988. Fontana, Andrea & James H. Frey, ”Wawancara: Seni Ilmu Pengetahuan” dalam Norman K.Denzin & Yvonna S.Lincoln,ed., Handbook of Qualitative Research, terj. Dariyatno, dkk., Yogyakarta: Pustaka Pelajar, 2009. Gold, Lisa, “Indonesia, § II : 1.Bali” dalam Stanley Sadie dan John Tyrell, ed., The New Grove Dictionary of Music and Musicians, Vol.XII, London: Macmillan Publishers Limited, 2002. Hardjana, Suka, Esai dan Kritik Musik, Yogyakarta: Galang Press, 2004. Huberman, A. Michael, & Mattew B. Miles, “Manajemen Data dan Metode Analisis” dalam Norman K.Denzin & Yvonna S.Lincoln,ed., Handbook of Qualitative Research, terj.Dariyatno, dkk., Yogyakarta: Pustaka Pelajar, 2009. Kennedy, Michael, Oxford Concise Dictionary of Music, New York: Oxford University Press, 1996. Kismiyati, Ch., “Komponis dan Pianis Wanita Indonesia: Trisutji Kamal (Sebuah Biografi)”, Tesis untuk mendapatkan gelar Magister Seni di Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa, Sekolah Pascasarjana, Universitas Gadjah Mada, Yogyakarta, 2008. Mack, Dieter, Sejarah Musik 4, Yogyakarta: Pusat Musik Liturgi, 1995. Nattiez, Jean-Jacques, Music and Discourse: Toward a Semiology of Music, Princeton: Princeton University Press, 1990. Pasaribu, Amir, Analisis Musik Indonesia, Jakarta: PT Pantja Simpati, 1986. Raden, Franki, “Music, Politics, and The Problems of National Identity in Indonesia”, Disertasi untuk mendapatkan gelar Doctor of Philosophy (Music) di University of Wisconsin-Madison, 2001. Simatupang, Lono, Pergelaran: Sebuah Mozaik Penelitian Seni-Budaya, Yogyakarta: Penerbit Jalasutra, 2013.
DOI: https://doi.org/10.22146/art.11651
Article Metrics
Abstract views : 1885 | views : 5964Refbacks
- There are currently no refbacks.
Copyright (c) 2016 Jurnal Kajian Seni
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.