NEGOTIATING TRADITION AND MODERNITY: THE DIALECTICS OF CONSERVATISM AND PROGRESSIVISM IN TEMBANG SUNDA NYIAR LUANG TINA CIANJURAN

Arif Budiman(1*)
(1) Institut Seni Budaya Indonesia (ISBI) Bandung
(*) Corresponding Author
Abstract
Innovation in traditional arts often triggers polemics between conservative and progressive values. This study offers a dialectical model of innovation-response in traditional arts by using Tembang Sunda Cianjuran as a case study to integrate Lewis A. Coser’s functional conflict theory. Employing a qualitative methodology that combines case study and autoethnography, data were gathered through in-depth interviews, participant observation, and documentary analysis. This multi-method approach allowed for a comprehensive understanding of both the artistic negotiation process and the underlying community dynamics. The research found that (1) the innovation of "Nyiar Luang Tina Cianjuran" successfully addressed contemporary social issues without eliminating core aesthetic rules such as dongkari, laras (tuning), wanda (style), song, and lyrics; (2) thematic modernisation and multimedia integration significantly enhance the appeal to the younger generation; and (3) the conflict between conservatism and progressivism, when managed effectively, can foster internal cohesion and create harmony within traditional arts. This research concludes that responsible innovation can enrich cultural relevance without compromising traditional values.
Keywords
Full Text:
PDFReferences
Abdulah, T., Hidayat, I., Hardjasaputra, A., & Sumardjo, J. (2013). Gending Karesmen: Teater Tradisional Ménak di Priangan 1904-19421. Panggung, 23. https://doi.org/10.26742/panggung.v23i3.143
Budiman, A. (2014). Nyiar Luang Tina Ringkang Urang Ngalangkungan Tembang Sunda Cianjuran [Skripsi]. Sekolah Tinggi Seni Indonesia (STS) Bandung.
Budiman, A. (2017). Penembang Unggul [Tesis]. Institut Seni Budaya Indonesia (ISBI) Bandung.
Coser, L. A. (1956). The Functions of Social Conflict. Routledge. https://books.google.co.id/books?id=GvErbayPhcgC
Creswell, J. W. (2014). Penelitian Kualitatif & Desain Riset. Pustaka Pelajar.
Dzikriawan, D., Sushartami, W., Rustandi, A., Pengkajian Seni Pertunjukan dan Seni Rupa Sekolah Pascasarjana Universitas Gadjah Mada, P., Pariwisata, P., Ilmu Budaya, F., & Gadjah Mada, U. (2021). Kontruksi Musikal Sekar Anyar Dalam Tembang Sunda Cianjuran: Analisis Struktur Dongkari Dan Formula Ornamen Pada Lagu ‘Wegah’-"Sajeroning Sindang". Jurnal Kajian Seni, 07(02), 168–168. https://jurnal.ugm.ac.id/jks/article/view/64276/31129
Elshafei, M. (2023). The prospects for theatrical performance arts in tradition and experimentation “Analytical study”. International Journal of Multidisciplinary Studies in Art and Technology, 6(1), 21–37. https://doi.org/10.21608/ijmsat.2023.124189.1008
Geertz, C. (1973). Cultures. NEW YORK. Britannica, T. Editors of Encyclopaedia (2024, October 26). Clifford Geertz. Encyclopedia Britannica. https://www.britannica.com/biography/Clifford-Geertz
Hermawan, D. (2016). Fenomena Gender dalam Dongkari Lagu-Lagu Tembang Sunda Cianjuran. Panggung, 24(1). https://doi.org/10.26742/panggung.v24i1.102
Hobsbawm, E., & Ranger, T. (2012). The Invention of Tradition. In Canto Classics. Cambridge University Press. https://doi.org/DOI: 10.1017/CBO9781107295636
Jacobs, S. (2007). Edward Shils’ Theory of Tradition. Philosophy of The Social Sciences, 37, 139–162. https://doi.org/10.1177/0048393107299685
Kanzunnudin, M. (2011). Peran Pariwisata dalam Pelestarian Kesenian Tradisional. Gema Wisata, 9, 26. https://eprints.umk.ac.id/225/
lasaiba, M. (2024). Back to the Roots: Reviving Tradition in a Global Age. Lani: Jurnal Kajian Ilmu Sejarah Dan Budaya, 3(2). https://doi.org/10.30598/Lanivol3iss2page177-187
Lewis, A. C. (1956). The Functions Of Social Conflict. https://psycnet.apa.org/record/1956-07012-000
MacKay, J. R. D. (2024). Adopter’s Regret? An Autoethnographic Approach to the Post Animal Adoption Period. https://doi.org/10.31235/osf.io/a7r8t
Menon, V. A., N, B., Aswathi, P., & Thomas, J. (2024). Kathakali’s social magic: the social presence of the dance drama. ShodhKosh Journal of Visual and Performing Arts. https://doi.org/10.29121/shodhkosh.v5.i1.2024.827
Miles, M. B., & Huberman, A. M. (1994). Qualitative data analysis: An expanded sourcebook, 2nd ed. In Qualitative data analysis: An expanded sourcebook, 2nd ed. Sage Publications, Inc.
Nirwana, A., & Nugroho, D. P. (2024). Kosmopolitanisme Digital: Sebuah Tawaran Strategi Keberlanjutan Seni dan Budaya Tradisi Di Era Digital. Jurnal Kajian Seni, 11(1), 42. https://doi.org/10.22146/jksks.96624
Rockell, K. (2023). Noh, Zen and Now. https://doi.org/10.47298/cala2022.4-3
Rosliani, E. (2013). Analisis Ornamen pada Lagu Dangdanggula Degung dalam Tembang Sunda Cianjuran. Panggung, 23(1). https://doi.org/10.26742/panggung.v23i1.87
Salsabilla, S. (2024). Perlindungan Pengetahuan Tradisional dan Ekspresi Budaya Berdasarkan Undang-Undang Pemajuan Kebudayaan. Jurnal Syntax Admiration, 5(6), 2113–2127. https://doi.org/10.46799/jsa.v5i6.1219
Stock, C. F. (2006). A Legacy of Innovation: Contextualising An International Creative Practice Project. https://eprints.qut.edu.au/5729/
Turner, V. W., Abrahams, R. D., & Harris, A. (2011). The Ritual Process: Structure and Anti-Structure. Aldine Transaction. https://books.google.co.id/books?id=IBRuiOX8VEEC
Ulya, C., & Wardani, N. (2019, January). Existences of Ketoprak as Indonesian Performing Art: An Issue in Tradition and Modernization Perspective. https://doi.org/10.4108/eai.21-12-2018.2282569
Untung, R. M., & Kusumaningtyas, P. (2024). Artistic Negotiation of Emma and Lucy Annual Drama The Musical Jekyll & Hyde: A Performance Quadrilogue View. Mudra Jurnal Seni Budaya, 39(4), 565–576. https://doi.org/10.31091/mudra.v39i4.2890
Wilk, T. (2023). Art as a Need to Shape Positive Changes in Social Space. Annales Universitatis Mariae Curie-Skłodowska. https://doi.org/10.17951/j.2023.36.2.139-151
Williams, S. (1990). The Urbanization of Tembang Sunda, an Aristocratic Musical Genre of West Java, Indonesia. Unpublished Ph.D. dissertation, University of Washington. https://www.proquest.com/openview/3a808cd1b7412dd118450c70c90470eb/1?pq-origsite=gscholar&cbl=18750&diss=y
Wiradiredja, M. Y. (2000). Peranan Tembang Sunda Cianjuran dalam gending karesmen Lutung Kasarung [Universita Gadjah Mada]. https://etd.repository.ugm.ac.id/penelitian/detail/5895
Wiradiredja, Y. (2014). Tembang Sunda Cianjuran di Priangan, 1834-2009 : Dari Seni Kalangenan Sampai Seni Pertunjukan (1st ed., Vol. 1). Sunan Ambu Press, Bandung, Jawa Barat, Indonesia. https://opac.perpusnas.go.id/DetailOpac.aspx?id=973613#
Xu, K. (2022). Innovation in the Arts. https://doi.org/10.4324/9781003142393
Zanten, W. Van. (1992). Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda. Yearbook for Traditional Music, 24, 159. https://doi.org/10.2307/768479
Informant Data
H.M. Yusuf Wirediredja. (65), Lecturer in Karawitan and Maestro of Cianjuran, Indonesian Institute of the Arts (ISBI) Bandung. Interview: 20 November, 2013 and January 21, 2025| Location: ISBI Bandung, Cianjur, Indonesia.
Ubun Kubarsah. (61, deceased), Composer and Sundanese Music Creator. Interview: 20 March 2014 | Location: Jalan Saledri, Bandung, Indonesia.
Asep Solihin. (60, deceased), Performance Consultant and Academic Advisor, Karawitan Program, STSI Bandung. Interview: January 2014 | Location: STSI Bandung, Indonesia.
Dian Hendrayana. (54), Poet and Academic in Sundanese Literature, Faculty of Language and Literature Education (FPBS), Indonesia University of Education (UPI). Interview: April 3, 2014 | Location: UPI Bandung, Indonesia.
Dinar Ratna Suminar. (51), Prominent Cianjuran Performer/Artist. Interview: February 2014 | Location: Wangisagara, Majalaya, Bandung, Indonesia.
Hery Suheryanto. Cianjuran Performer/Artist. Interview: February 2014 | Location: Permata Biru, Cileunyi, Bandung, Indonesia.

Article Metrics


Refbacks
- There are currently no refbacks.
Copyright (c) 2025 Arif Budiman

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.