Managing Carbon Footprint at Music Festivals: A Study at Glastonbury Festival

https://doi.org/10.22146/gamajts.v4i2.89049

Anindya Kenyo Larasti(1*)

(1) MSc Management and Sustainable Tourism, University of Glasgow, Scotland, UK
(*) Corresponding Author

Abstract


The Glastonbury Festival, renowned as one of the greatest music festivals globally, has come under environmental scrutiny due to its substantial expansion. While the festival undeniably benefits the economy, it also has adverse effects by contributing to the carbon footprint. This phenomenon is a result of congregating a large number of individuals in a single location concurrently for an extended period of time. The carbon footprint generated is substantial, and when combined with the garbage generated, it can result in significant environmental harm. Recognizing this concern, the organizer has implemented a comprehensive strategy to reduce and control its carbon emissions. Hence, this study evaluated the efficacy of various approaches by employing the framework of energy consumption, trash generation, and transportation emissions (Fredline et al., 2005). The outcome demonstrates that Glastonbury Festival's endeavor to achieve environmental sustainability underscores its dedication to diminishing its carbon emissions while safeguarding its core identity. Glastonbury has implemented novel energy solutions, such as solar and wind power, biodiesel, and recycled vegetable oil waste, to reduce emissions and include sustainable energy sources. Furthermore, waste management has effectively diminished the usage of disposable plastic bottles, decreased trash through recycling efforts, and promoted the practice of participants taking their possessions with them. Lastly, the transportation emissions, which account for the largest proportion of the total emissions, still require a solution, since they remain the primary concern of the event. The Glastonbury Festival's sustainability could be improved by the implementation of additional measures, educational initiatives, and partnerships with environmental organizations.

Keywords


Glastonbury Festival; music festival; carbon footprint; sustainable event

Full Text:

PDF


References

Anderson, D. & Lundberg, E. (2013). Commensurability and sustainability: Triple impact assessments of a tourism event. Tourism Management, 37, 99-109. https://doi.org/10.1016/j.tourman.2012.12.015.

Bodwin, G. (2006). Identifying and analysing existing research undertaken in the event industry: a literature review for People 1st. Leeds: Leeds Metropolitan University.

Bottrill, C., Liverman, D. and Boykoff, M. (2010). Carbon soundings: greenhouse gas emissions of the UK music industry. Environmental Research Letters, 5. DOI 10.1088/1748-9326/5/1/014019.

Brennan, M., Scott, J. C., Connelly, A., & Lawrence, G. (2019). Do music festival communities address environmental sustainability and how? A Scottish case study. Popular Music, 38, 252–275.

British Gas. (2013). Glastonbury: How do you power a major music festival? [Online] Available at: https://www.britishgas.co.uk/business/blog/glastonbury-how-do-you-power-a-major-music-festival/ [Accessed 3rd February 2019].

Case, R. (2013). Events and The Environment. New York: Routledge.

Department of Business, Energy & Industrial Strategy. (2018). UK Government GHG Conversion Factors for Company Reporting. [Online] Available at: https://www.gov.uk/government/publications/greenhouse-gas-reporting-conversion-factors-2018 [Accessed 2nd February 2019].

Discover Britain. (2014). [Online] Avalilable at: https://www.discoveringbritain.org/activities/south-west-england/aerial/britain-from-the-air-glastonbury-festival.html [Accessed 10th February 2019].

eFestivals. (2014). Bimble Badada! 2014. [Online] Available at: https://www.efestivals.co.uk/festivals/bimble/2014 [Accessed 3rd February 2019].

Fredline, L., Raybould, M., Jago, L. & Deery, M. (2005). Triple Bottom Line Event Evaluation: A proposed framework for holistic event evaluation. In Proceedings of International Event Research Conference 2005. Lindfield: Australian Centre for Event Management.

Flinn, J. and Frew, M. (2014). Glastonbury: managing the mystification of festivity. Leisure Studies, 33, 418-433, DOI: 10.1080/02614367.2012.751121

Gelder, G. and Robinson, P. (2009). A Critical Comparative Study of Visitor Motivations for Attending Music Festivals: A Case Study of Glastonbury and V Festival. Event Management, 13, 3, 181-196. https://doi.org/10.3727/152599509790029792

Getz, D. (2005). Event Management & Event Tourism. New York: Cognizant Communication Corporation.

Gray, L. (2013). Glastonbury 2013: How green is going to a festival? [Online] Available at: https://www.telegraph.co.uk/culture/glastonbury/10127604/Glastonbury-2013-How-green-is-going-to-a-festival.html [Accessed 7th February 2019].

Glastonbury Festival. (2011). Become a green traveller and enjoy the benefits. [Online] Available at: https://www.glastonburyfestivals.co.uk/become-a-green-traveller-and-enjoy-the-benefits/ [Accessed 5th February 2019].

Glastonbury Festival (2014). Croissant Neuf. Online] Available at: https://www.glastonburyfestivals.co.uk/areas/the-green-fields/croissant-neuf/ [Accessed 9th February 2019].

Glastonbury Festival. (2017). Green Glastonbury. [Online] Available at: https://www.glastonburyfestivals.co.uk/information/green-glastonbury/ [Accessed 10th February 2019].

Glastonbury Festival. (2018). Love The Farm, Leave No Trace. [Online] Available at: https://www.glastonburyfestivals.co.uk/information/green-glastonbury/love-the-farm-leave-no-trace/ [Accessed 10th February 2019].

Glastonbury Festival. (2019). Our Green Policies. [Online] Available at: https://www.glastonburyfestivals.co.uk/information/green-glastonbury/our-green-policies/ [Accessed 10th February 2019].

Hawkes, A. D. (2010). Estimating marginal CO2 emissions rates for national electricity systems. Energy Policy, 38, 10, 5977–5987. https://doi.org/10.1016/j.enpol.2010.05.053

Heal, A. (2018). Glastonbury tickets for 2019 sell out in half an hour. [Online] Available at: https://www.theguardian.com/music/2018/oct/07/glastonbury-tickets-2019-sell-out-in-half-an-hour [Accessed 9th July 2019].

IPCC. (2007). Climate Change 2007: Synthesis Report. Contribution of Working Groups I, II, and III to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change. Switzerland: Intergovernmental Panel on Climate Change.

Julie's Bicycle. (2009). First Step: UK Music Industry Greenhouse Gas Emissions for 2007. [Online] Available at: https://www.juliesbicycle.com/Handlers/Download.ashx?IDMF=aa78cb72-8d5f-4594-bca2-8b586ff79436 [Accessed 2nd February 2019].

Mair, J. and Laing, J. (2013). Encouraging pro-environmental behaviour: the role of sustainability-focused events, Journal of Sustainable Tourism, 21, 1113–1128.

Marchini, B., Fleming, P. & Maughan, C. (2013). Reducing Electricity related greenhouse gas emissions at music festivals. [Online] Available at: http://www.powerful-thinking.org.uk/site/wp-content/uploads/Electricity-at-Festivals-summary-findings-March-2013.pdf [Accessed 1st February 2019].

McCarthy, N. (2018). Plastic Can Take 500 Years to Bio-Degrade in The Ocean. [Online] Available at: https://www.statista.com/chart/15905/the-estimated-number-of-years-for-selected-items-to-bio-degrade / [Accessed 8th February 2019].

Mendip District Council. (2007). Glastonbury Festivals 2017 Economic Impact Assessment. Somerset: Mendip District Council.

Mullin, G. (2016). Glastonbury 2016 revelers caught in traffic jams for up to 27 HOURS – but embrace 'festival spirit.' [Online] Available at: https://www.mirror.co.uk/news/uk-news/glastonbury-2016-revellers-caught-traffic-8257718 [Accessed 5th February 2019].

Ovo Energy. (2014). How much electricity does a home use? [Online] Available at: https://www.ovoenergy.com/guides/energy-guides/how-much-electricity-does-a-home-use.html [Accessed 6th February 2019].

Powerful Thinking. (2017). The Show Must Go On: Environmental Impact Report and Vision for the UK Festival Industry. [Online] Available at: https://www.kambe-events.co.uk/wp-content/uploads/2017/10/TheShowMustGoOnReport_Final.pdf [Accessed 2nd February 2019].

Pringle, S. A. (2013). Recycling at UK Music Festival Survey. [Online] Available at: https://www.agreenerfestival.com/wp-content/uploads/pdfs/ScottAndrewPringle-MScDissSummary.pdf [Accessed 10th February 2019].

Ravenhall, L. (2019). How eco-friendly is Glastonbury Festival? [Online] Available at: https://www.forgerecycling.co.uk/blog/how-eco-friendly-is-glastonbury-festival/ [Accessed 20th June 2019].

Raw Foundation. (2018). The Making Waves Plastic-Free Festival Guide for Festivals and Events. [Online] Available at: http://rawfoundation.org/making-waves/wp-content/uploads/2018/03/Festival-Guide-20182.pdf [Accessed 9th February 2019].

Statista. (2016). Music concert and festival attendance in the United Kingdom (UK) from 2012 to 2016 (in millions). [Online] Available at: https://www.statista.com/statistics/282032/music-concert-and-festival-attendance-in-the-uk-by-attendee-type/ [Accessed 28th January 2019].

Stettler, S. L. (2011). Sustainable Event Management of Music Festivals: An Event Organizer Perspective. Dissertations and Theses. Paper 257. Portland State University.

Telegraph. (2017). Glastonbury Festival 2017 in Pictures: Ed Sheeran, Jeremy Corbyn and A Blushing Security Guard. [Online] Available at: https://www.telegraph.co.uk/music/concerts/glastonbury-festival-2017-pictures/largest-greenfield-festival-world-glastonbury-festival-now-five/ [Accessed 3rd February 2019].

The Kings Ferry. (2015). Coach travel beats all other forms of transportation in terms of its impact on the environment. [Online] Available at: https://www.thekingsferry.co.uk/industry-news/article/commuters-corporate-events-private-hire-schools-clubs/coach-travel-beats-all-other-forms-of-transportation-in-terms-of-its-impact-on-the-environment/801786507 [Accessed 5th February 2019].

UK Music. (2015). Wish you were Here 2015: Music Tourism’s Contribution to the UK Economy. [Online] Available at: https://visitwightpro.com/wp-content/uploads/2015/08/2015-wish-you-where-here-music-tourisms-contribution-to-the-uk-economy1.pdf [Accessed 10th February 2019].

UNWTO. (2017). Our World in Data. [Online] Available at: https://ourworldindata.org/tourism#empirical-view [Accessed 1st February 2019].

UWE Bristol. (2017). UWE Bristol links up with Glastonbury Festival to promote sustainability. [Online] Available at: https://blogs.uwe.ac.uk/bristol-business-school/uwe-bristol-links-up-with-glastonbury-festival-to-promote-sustainability/ [Accessed 10th February 2019].

Victoria and Albert Museum. (2019). Performing Glastonbury. [Online] Available at: https://www.vam.ac.uk/performing-glastonbury/

Vonow, B. (2017). Glastonbury cleanup costing £785,000 and lasting six weeks begins as 200,00 festival-goers head home leaving behind mounds of rubbish. [Online] Available at: https://www.thesun.co.uk/news/3883718/glastonbury-2017-clean-up-pictures-rubbish-after-festival/ [Accessed 30th January 2019].

Warrenger, S. (2018). Co-op food stores coming to festivals this summer with reverse plastic vending machines. [Online] Available at: https://thefestivals.uk/2018/05/12/coop-festival-shops/ [Accessed 10th February 2019].

White, M. (2019). Glastonbury 2019: More than 99% of tents taken home from festival in new record, organisers say. [Online] Available at: https://www.standard.co.uk/news/uk/glastonbury-2019-more-than-99-of-tents-taken-home-from-festival-in-new-record-organisers-say-a4180636.html [Accessed 8th July 2019].

Youngs, I. (2017). Building a city in festival field. [Online] Available at: http://news.bbc.co.uk/1/hi/entertainment/6727261.stm [Accessed 3rd February 2019].



DOI: https://doi.org/10.22146/gamajts.v4i2.89049

Article Metrics

Abstract views : 3202 | views : 2049

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Gadjah Mada Journal of Tourism Studies

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Web
Analytics View My Stats

Print ISSN: 2621-9522 | Online ISSN: 2621-9948
Copyright © 2024 Gadjah Mada Journal of Tourism Studies, Office of Journal & Publishing, Faculty of Cultural Sciences, Universitas Gadjah Mada