Mitos Genjer-Genjer: Politik Makna dalam Lagu

https://doi.org/10.22146/jsp.13083

Utan Parlindungan(1*)

(1) 
(*) Corresponding Author

Abstract


Merely based on the ideological struggle, the arts play an important role, especially as a means of forming unisonality, group identifi cation and emotional bridge between individuals in bringing “sense” that the goals of power may easily be achieved. No exception of music; it deliberately created and disseminated for the sake of its own nature. However, power is not as universal as music; making a claim toward music (songs) in the risk of political contestation may produce ambivalence meanings (ambiguity). In one hand, music tends to be sacred, but a moment later, it is more vulnerable to be alienated or marginalized. In some cases, the practice of politicization oft en ends up banning music and tragedy.


Keywords


music; ideological instrument; contestation of meaning; semiotics, myth.

Full Text:

PDF



DOI: https://doi.org/10.22146/jsp.13083

Article Metrics

Abstract views : 1063 | views : 1403

Refbacks

  • There are currently no refbacks.


Copyright (c) 2016 Jurnal Ilmu Sosial dan Ilmu Politik

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

  Information:

     Call for Paper 2019

    Read

    

    



  View My Stats